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On the whole, Gregson-Williams’s work is effective. Whilst Gregson-Williams’s musical choices in the track are nothing particularly new, they certainly work well as accompaniment to the film, ramping up the tension just enough to leave you wanting more. Cue ‘On A Mission’ is very much created after its name-sake, balancing distorted guitar riffs and driving rhythmic pulses which are featured intermittently throughout the track. Things soon return to familiar fare, however, as Gregson-Williams turns up the tension in his scoring. Whilst melodically coherent, the cue moves and develops just enough to hold your interest, the changes in the string melody particularly strong, moving like waves beneath the piano. Sweeping strings and delicate piano melodies punctuate cue ‘Change Your World’ and whilst there is little sense of the thriller genre about the music, there’s so much more going on in the piece that it is of little consequence. Whilst the pieces can sometimes sound as if they may take themselves a little too seriously, there’s no doubting Gregson-Williams heart has gone completely into every cue. Gregson-Williams is not one for overwrought, overloaded musical pieces his compositional style is largely understated, gentle and poignant. The Equalizer sees Gregson-Williams returning to the high-stakes thriller mode, a musical style in which he has bags of experience.įrom the opening cue, it’s clear that we’re in safe hands. Sometime-Disney composer, sometime-thriller musician, Gregson-Williams has a rich and varied back catalogue, spring-boarding his talent from the likes of The Chronicles of Narnia series, Prometheus and The Town. Following a brief and rather unpleasant brush with the gangsters, McCall vows to take them and their partners down, one by one.īritish composer Harry Gregson-Williams is the music behind the film.
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Starring Denzel Washington as ex-special ops Robert McCall, the film follows his plight to save a young girl from the grasp of Russian mobsters.
#Harry gregson williams the equalizer tv
It is inevitable, then, that cinema should look to television for ideas and following a long line of cinematic adaptations, TV show The Equalizer is the latest to follow suit. Television is giving cinema a run for its money and the film, once so mighty and dominant, has been left quaking in its boots. We are living in the midst of a television renaissance you need only turn on your television screen to find proof of this. Gone are the tinny filming conditions, the overworked plots and the distinct lack of carelessness.
#Harry gregson williams the equalizer series
Gone are the days when starring in a TV series was a black mark next to the name of an actor. In the world today, there is little distinction to be made between television and the cinema.